Baltimore and Ohio employees magazine (1912) (14574937550)

Identifier: baltimoreohioemp04balt (find matches)
Title: Baltimore and Ohio employees magazine
Year: 1912 (1910s)
Authors: Baltimore and Ohio employees magazine Baltimore and Ohio Railroad Company
Subjects: Baltimore and Ohio Railroad Company
Publisher: (Baltimore, Baltimore and Ohio Railroad)
Contributing Library: University of Maryland, College Park
Digitizing Sponsor: LYRASIS Members and Sloan Foundation



Text Appearing Before Image:
you, will he appreciated. f ; I I Address all communications to— ; ; i j JENKS B. JENKINS, Valuation Engineer, f ; I I The Baltimore and Ohio Railroad Company, f ; I I Baltimore, Md. i I 30 Railroading for the Movies ^The best known photo-player on thescreen today is Mr, R. R, Train A N eastern railroader, who hadjust returned from an extendedvisit to the Pacific Coast, wasrecently discussing his trip witha party of friends. Its a wonderful country out there,he remarked, and Id hke to spendabout a year travelling up and downthe coast from San Diego to Seattle.But of all the towns I went through, Iwant to go on record as saying that the one thats got the edge on the wholeworks is Los Angeles. I tell you thatits the funniest railroad town in theworld, bar none. Everythings topsy-turvey. Nothings the way it ought tobe. By George, you might as well havenever seen a railroad as to try to work onone out there. Whats the matter? inquired one ofhis friends. The returned traveller mopped his
Text Appearing After Image:
AS MAY BE IMAGINED, THE FILM COMPANY IS ANXIOUSLY AWAITING THE BILL FOR THISSCENE. HOWEVER, THE PRODUCER GOT THE EFFECT HE WAS AFTER 32 THE BALTIMORE AND OHIO EMPLOYES MAGAZINE 1 SWINGING INTO A BOX CAR DOOR WREN THE TRAIN IS RUNNING TWENTY MILES ANHOUR IS NO CINCH FOR EVEN A MOVIE HEROINE forehead and looked from one man toanother, as though wondering how muchof his story would be believed. Motion pictures, dad burn em,he said at length. Motion pictures!Theyre everywhere, I tell you. Every-where. In the yards; in the stations; inthe offices and scattered along the rightof way for miles. A tenderfoot doesntdare move an inch for fear of gettingwithin range of a camera and gettingbawled out for spoiling a scene. Camerasto the right of you and cameras to theleft of you. In front of you and behindyou. Youre afraid to move and youreafraid to stand still. You dont darebelieve anything you see because thechances are that its not so. The twotrains you see racing toward each otheron the same t