Four Sketches on one Sheet Probably for Cartes de Visites
? Made by Carlo Marchionni (Italian, Rome 1702–1786 Rome) Public domain photograph of 17th century Italian drawing, free to use, no copyright restrictions image - Picryl description
Caricature of Man Writing - Public domain portrait drawing
Public domain photo of Italian art print or drawing, free to use, no copyright restrictions image - Picryl description
Man Seated in Front of Trees - Drawing. Public domain image.
Public domain photo of Italian art print, 17th century, free to use, no copyright restrictions image - Picryl description.
Design for Festival Decorations on the Bases of Piers
Carlo Marchionni (Italian, Rome 1702–1786 Rome) Public domain scan of decorative drawing, decor elements, art design, free to use, no copyright restrictions image - Picryl description
Four Sketches of Putti Hanging Coat of Arms
Carlo Marchionni (Italian, Rome 1702–1786 Rome) Public domain photograph decorative panel, decor, free to use, no copyright restrictions image - Picryl description
Drawing, A genre scene, 1725–50 (CH 18112895)
Inside of a room; near the door sits an old man, to whom another offers a plate of food. At left, a picture hangs on the wall above what is a chimney piece or a table. Upon it is a dog and two pitchers. On vers... More
Drawing, A genre scene, 1725–50 (CH 18112895-2)
Inside of a room; near the door sits an old man, to whom another offers a plate of food. At left, a picture hangs on the wall above what is a chimney piece or a table. Upon it is a dog and two pitchers. On vers... More
Drawing, A Reliquary for Three Skulls, ca. 1770 (CH 18116869)
The image is in a horizontal rectangle. A box with a pediment is shown, whose general shape is that of a triangle. The front consists of a base and two angels at the corners and two gaines of empty armors insid... More
Drawing, Catafalque for a king, ca. 1765 (CH 18116433)
In the shape of an obelisk without point. Three steps lead to a base with candle brackets, the front intended for an inscription. The obelisk is connected with the base by a part with winged skulls supporting f... More
Drawing, Design for a Catafalque for Charles Emanuel III of Sardinia, ...
Two winged genii, symbolizing death, sit on pilasters supporting a sarcophagus to Carl Emanuel III. Pedestals on either side support two candle brackets with burning candles and two putti. Above, a broken pedim... More
Drawing, Design for a ceremonial decoration, ca. 1760 (CH 18117119)
In the center a big angel in clouds is supporting a branch, ending as a candlestick with three burning candles. Beside him, a small flying angel with a garland. A curved attic serves as architectural motif. Aro... More
Drawing, Design for a ceremonial decoration, ca. 1760 (CH 18117119-2)
In the center a big angel in clouds is supporting a branch, ending as a candlestick with three burning candles. Beside him, a small flying angel with a garland. A curved attic serves as architectural motif. Aro... More
Drawing, Design for a Door Case, 1725–50 (CH 18127685)
The left half is executed. The overdoor has a surbased pediment inscribed into a circular one with a papal escutcheon in front.
Drawing, Design for a Door Case, 1725–50 (CH 18127685-2)
The left half is executed. The overdoor has a surbased pediment inscribed into a circular one with a papal escutcheon in front.
Drawing, Design for a door with arched pediment, 1746 (CH 18127323)
Pilasters flank open door. In lunette, a tablet. Arch contains lunette of organic pattern. Scales: “Scala Modalatoria/ Scala di Palmi dieci Romani.”
Drawing, Design for a door with arched pediment, 1746 (CH 18127323-2)
Pilasters flank open door. In lunette, a tablet. Arch contains lunette of organic pattern. Scales: “Scala Modalatoria/ Scala di Palmi dieci Romani.”
Drawing, Design for a Doorway to the Sacristy of St. Peter's, Rome, ca...
Doorframe is surmounted by a pointed attic pediment, enclosing a medallion, in the center of which is the symbol of Christ (the Chi Rho) amidst a glory of rays. It is framed by palm branches and moldings. On to... More
Drawing, Design for a Frieze, ca. 1770 (CH 18109089)
Three panels framed by pilasters, with alternate variations. The central panel has in the middle a candelabrum with a burning fire above a leaf base, the lateral panels have a floral candelabrum upon a similar ... More
Drawing, Design for a Frieze, ca. 1770 (CH 18109089-2)
Three panels framed by pilasters, with alternate variations. The central panel has in the middle a candelabrum with a burning fire above a leaf base, the lateral panels have a floral candelabrum upon a similar ... More
Drawing, Design for a Frieze, ca. 1770 (CH 18109091)
Three panels framed by oblongs with masks above and below, supporting festoons, whose other ends are supported in the lateral panels by masks above and below, and in the central panel by rinceaux. Inside the pa... More
Drawing, Design for a Gate of a Villa, 1750–55 (CH 18127361)
Pilasters with mounds on top frame of the opening. Volutes connect their upper parts with the garden wall, the nearest parts to the gate of which are shaped as panels flanked by pilasters. A man stand in the op... More
Drawing, Design for a gateway with lodges, early design for Villa Alba...
Entrance to a park. At left, between caryatids sunken compartments. At right, alternation of figures in niches and windows. Upon the wall, at left, vases, at right there are balls. Four figures upon the gateway.
Drawing, Design for a monument in a church, 1750–55 (CH 18114337)
A high parapet connects opposite pilasters of a church nave. It is interrupted by a door opening in which two men stand carrying books. Over the door are a paper scroll entwined with a garland and a broken pedi... More
Drawing, Design for a monument in a church, 1750–55 (CH 18114337-2)
A high parapet connects opposite pilasters of a church nave. It is interrupted by a door opening in which two men stand carrying books. Over the door are a paper scroll entwined with a garland and a broken pedi... More
Drawing, Design for a Monument, ca. 1730 (CH 18114661)
Shield with a crown above, upon a base; stones and trees.
Drawing, Design for a Monument, ca. 1730 (CH 18114661-2)
Shield with a crown above, upon a base; stones and trees.
Drawing, Design for an Architrave, ca. 1770 (CH 18109087)
On top are three capitals connected by an entablature, with candles standing beside the capitals, except at the left, where the capital is on top of a column and the candlestick is farther from it. The entablat... More
Drawing, Design for an Architrave, ca. 1770 (CH 18109087-2)
On top are three capitals connected by an entablature, with candles standing beside the capitals, except at the left, where the capital is on top of a column and the candlestick is farther from it. The entablat... More
Drawing, Design for an over door, ca. 1730 (CH 18109213)
Only the curved cresting; below, moulding with ovolo design. Center: laurel medallion with head of sun at the edges, branches of laurel. The outline of the lower part sketched in graphite.
Drawing, Design for an over door, ca. 1730 (CH 18109213-2)
Only the curved cresting; below, moulding with ovolo design. Center: laurel medallion with head of sun at the edges, branches of laurel. The outline of the lower part sketched in graphite.
Drawing, Design for Decoration of a Ceremony, ca. 1760 (CH 18107477)
A podium is erected above a pediment bearing seven burning candles. Festoons of garland hand upon it, and two cherubim are in a glory above at center.
Drawing, Design for Decoration of a Ceremony, ca. 1760 (CH 18107477-2)
A podium is erected above a pediment bearing seven burning candles. Festoons of garland hand upon it, and two cherubim are in a glory above at center.
Drawing, Design for Decoration of a Ceremony, ca. 1760 (CH 18107485)
A podium is erected above a pediment bearing seven burning candles. Festoons of garland hand upon it, and two cherubim are in a glory beside central part.
Drawing, Design for Decoration of a Ceremony, ca. 1760 (CH 18107485-2)
A podium is erected above a pediment bearing seven burning candles. Festoons of garland hand upon it, and two cherubim are in a glory beside central part.
Drawing, Design for decoration of a title page, 1725–50 (CH 18114641)
A scroll of paper, cut above and below to form scrolls, like those of an escutcheon, is framed below laterally by two branches with leaves. In the center above are a putto, and two cornucopia from which swans a... More
Drawing, Design for decoration of a title page, 1725–50 (CH 18114641-2...
A scroll of paper, cut above and below to form scrolls, like those of an escutcheon, is framed below laterally by two branches with leaves. In the center above are a putto, and two cornucopia from which swans a... More
Drawing, Design for left half of a portal with balcony, 1725–50 (CH 18...
With construction lines. Woman standing on balcony; gentleman with stick walking. Scale.
Drawing, Design for left half of a portal with balcony, 1725–50 (CH 18...
With construction lines. Woman standing on balcony; gentleman with stick walking. Scale.
Drawing, Design for monument of Pope Clement XII, 1735 (CH 18116345)
Public domain reproduction of art print, free to use, no copyright restrictions image - Picryl description
Drawing, Design for monument of Pope Clement XII, 1735 (CH 18116345-2)
Public domain reproduction of artwork, free to use, no copyright restrictions image - Picryl description
Drawing, Design for Tablet, 1740–58 (CH 18126427)
The upper with the escutcheons for the coat of arms: above of the pope, below of a prelate. The other sketches include the architectural forms of the upper part of the frame, some figures of accounting. On vers... More
Drawing, Design for Tablet, 1740–58 (CH 18126427-2)
The upper with the escutcheons for the coat of arms: above of the pope, below of a prelate. The other sketches include the architectural forms of the upper part of the frame, some figures of accounting. On vers... More
Drawing, Design for the decoration of the façade of St. Peter's, Rome,...
Crest: a curved architectural frieze with six princely escutcheons. Above the coat of arms of Pope Clement XIII (1758-69) supported by angels; rays emanate from it. In background, a curtain which a flying angel... More
Drawing, Design for the North Portal, Grand Gallery, Villa Albani, Rom...
The doorway is flanked by two pilasters with dolphins supporting festoons at capitals. An entablature with a frieze and a semi-circular window aboveit are outlined at the top of the drawing. Above doorway moldi... More
Drawing, Design for the North Portal, Grand Gallery, Villa Albani, Rom...
The doorway is flanked by two pilasters with dolphins supporting festoons at capitals. An entablature with a frieze and a semi-circular window aboveit are outlined at the top of the drawing. Above doorway moldi... More
Drawing, Design for the North Portal, Grand Gallery, Villa Albani, Rom...
The doorway is flanked by two pilasters with dolphins supporting festoons at capitals. An entablature with a frieze and a semi-circular window aboveit are outlined at the top of the drawing. Above doorway moldi... More
Drawing, Design for the North Portal, Grand Gallery, Villa Albani, Rom...
The doorway is flanked by two pilasters with dolphins supporting festoons at capitals. An entablature with a frieze and a semi-circular window aboveit are outlined at the top of the drawing. Above doorway moldi... More
Drawing, Design for the North Portal, Grand Gallery, Villa Albani, Rom...
The doorway is flanked by two pilasters with dolphins supporting festoons at capitals. An entablature with a frieze and a semi-circular window aboveit are outlined at the top of the drawing. Above doorway moldi... More
Drawing, Design for the North Portal, Grand Gallery, Villa Albani, Rom...
The doorway is flanked by two pilasters with dolphins supporting festoons at capitals. An entablature with a frieze and a semi-circular window aboveit are outlined at the top of the drawing. Above doorway moldi... More
Drawing, Design of a Sepulchral Monument for a Cloister, ca. 1745 (CH ...
A frame in architectural forms, with alternative suggestions. Three embedded columns upon high pedestals are supporting a pediment, in whose center a circle or an oval with a crown on top is intended as place f... More
Drawing, Design of a Sepulchral Monument for a Cloister, ca. 1745 (CH ...
A frame in architectural forms, with alternative suggestions. Three embedded columns upon high pedestals are supporting a pediment, in whose center a circle or an oval with a crown on top is intended as place f... More
Drawing, Elevation of a royal building, ca. 1746 (CH 18541885)
A two-story building, with a low wall at right. in the ground floor are at left two door openings—for stable and for carriage room. From left to right: two windows, two doors, two windows. Upper floor has eight... More
Drawing, Elevation of a royal building, ca. 1746 (CH 18541885-2)
A two-story building, with a low wall at right. in the ground floor are at left two door openings—for stable and for carriage room. From left to right: two windows, two doors, two windows. Upper floor has eight... More
Drawing, Peasant with Bag, 1728–78 (CH 18126899)
Bent male figure with bag on ground between his legs. Public domain scan of 18th century Italian drawing, free to use, no copyright restrictions image - Picryl description
Drawing, Peasant with Bag, 1728–78 (CH 18126899-2)
Bent male figure with bag on ground between his legs. Public domain scan of 18th century Italian drawing, free to use, no copyright restrictions image - Picryl description
Drawing, Pope Benedict XIV in a Consistory with Cardinals, 1740–58 (CH...
The Pope on his throne; seven cardinals seated on chairs in two rows. An empty chair sits in front of the Pope.
Drawing, Sketch for a Fountain in Park, 1740 (CH 18125795)
Double-flighted stairs connecting an upper and a lower levels. Fountain consisting, on the upper level, of a basin with high shaft; on the lower, a basin between rocky stones. At the edges, on front, two hermae... More
Drawing, Sketch for a Fountain in Park, 1740 (CH 18125795-2)
Double-flighted stairs connecting an upper and a lower levels. Fountain consisting, on the upper level, of a basin with high shaft; on the lower, a basin between rocky stones. At the edges, on front, two hermae... More
Drawing, Sketches and Script, 1765 (CH 18127347-2)
Two sketches of a door with a niche in the upper floor. The latter is framed in rectangle and has a shell above. One sketch gives the measurements for the door, the other shows the statue of a bishop with a hos... More
Drawing, Sketches for a tablet, ca. 1750 (CH 18114841-2)
A tablet with a head rising from the middle of the top rim; its frame is supported by a woman leaning upon the tablet at left: a standing woman is alternatively suggested at right. Second row: a cloth frames th... More
Drawing, Sketches, 1725–50 (CH 18109283)
A woman carrying a tray, shown from the right back. Top right: jug with sphinx cover. Half figure of a cleric shown from the back, passing beneath a gateway.
Drawing, Studies of Heads, 1760–80 (CH 18550801)
The caricatures refer mostly to an old man wearing a wig; some show the bust. The other – non caricature – heads are shown looking downwards or upwards. One is a cherub; some accounting is written in intervals ... More
Drawing, Studies of Heads, 1760–80 (CH 18550801-3)
The caricatures refer mostly to an old man wearing a wig; some show the bust. The other – non caricature – heads are shown looking downwards or upwards. One is a cherub; some accounting is written in intervals ... More
Drawing, The Elevation of a Niche with Statue of a Man, 1750–60 (CH 18...
The aedicule frame is supported by two brackets, between and beneath which the upper part of a cruciform. A molded frame is shown. One angel sits, another kneels upon the triangular pediment. Scale at the bottom.
Drawing, Two Doorcases, 1750–75 (CH 18127699)
In the upper right corner is the left part of an entablature with a parapet from which a ram horn springs, with a blossom hanging like a tassel from its point. At left is the upper left part of a door frame. Ab... More
Drawing, Two Doorcases, 1750–75 (CH 18127699-2)
In the upper right corner is the left part of an entablature with a parapet from which a ram horn springs, with a blossom hanging like a tassel from its point. At left is the upper left part of a door frame. Ab... More
Drawing, Two sketches for cartouches, before 1775 (CH 18115229)
Above: four laths are joined and two trees trailed over the mounting and the upper side. A motif below in the center is indiscernible. Below laths as above, trees trailed over the mounting, at their base dolphi... More
Drawing, Design for a Fireplace, Antinous Room, in the Villa Albani, R...
Surmounted by a central eagle, floral garland, and corner vases, the overmantel, presented as an elevation, contains an antique relief of Antinous. The chimneypiece and fire screen below are decorated by garlan... More
Drawing, Design for a Mantelpiece in the Villa Albani with Two Men and...
An ornate mantelpiece, decorated with sculpted reliefs of lion heads and scrolls occupies the center of the design. A carved frame, supported by pilasters and ornamented with garlands, rosettes, and griffins te... More
Drawing, Design for a Mantelpiece in the Villa Albani with Two Men and...
An ornate mantelpiece, decorated with sculpted reliefs of lion heads and scrolls occupies the center of the design. A carved frame, supported by pilasters and ornamented with garlands, rosettes, and griffins te... More
Drawing, Design for a Mantelpiece in the Villa Albani with Two Men and...
An ornate mantelpiece, decorated with sculpted reliefs of lion heads and scrolls occupies the center of the design. A carved frame, supported by pilasters and ornamented with garlands, rosettes, and griffins te... More
Drawing, Project for an Entrance, ca. 1745 (CH 18109421)
An entryway framed by a pair of columns and pilasters supporting an entablature and the cornice of a pediment. The inner frame with the arch is supported by two twisting solomonic columns, between which is a cu... More
Drawing, Sketches and Script, 1765 (CH 18127347)
Two sketches of a door with a niche in the upper floor. The latter is framed in rectangle and has a shell above. One sketch gives the measurements for the door, the other shows the statue of a bishop with a hos... More
Carlo Marchionni - Design for a Fountain with Pegasus, for the Villa A...
Public domain image, 17th-18th century drawing, free to use, no copyright restrictions image - Picryl description
Carlo Marchionni - Santa Maria del Priorato, Rome, Alternative Design ...
Public domain scan of technical drawing, free to use, no copyright restrictions image - Picryl description
Carlo Marchionni Architetto - Drawing. Public domain image.
Carlo Marchionni (1702–1786): Design for the North Portal, Grand Gallery, Villa Albani, Rome. Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper, 41.7 x 28.9 cm. Cooper Hewitt, Smithso... More
Drawing, Sketch, for an office building (possibly Villa Albani), ca. 1...
The structure has three stories and a balustrade above the entablature to hide the roof. It stands in front of another building, the upper side of which is visible behind the balustrade. At left is the section... More
Drawing, Design for a Gate of a Villa, 1750–55 (CH 18127361-2)
Pilasters with mounds on top frame of the opening. Volutes connect their upper parts with the garden wall, the nearest parts to the gate of which are shaped as panels flanked by pilasters. A man stand in the o... More
Drawing, Sketch, for an office building (possibly Villa Albani), ca. 1...
The structure has three stories and a balustrade above the entablature to hide the roof. It stands in front of another building, the upper side of which is visible behind the balustrade. At left is the section... More
Drawing, Design for an altar of the Virgin, 1775–80 (CH 18541289)
Two angels support a frame of an image, with two cherubim on top. Two others support a label above. Upon the cornices of a broken pediment sit angels. In the center an escutcheon with a monogram; on its top a ... More
Drawing, Design for an Altar- Elevation, with Trompe l'Oeil Plan Below...
Centrally placed elevation of altar showing painting of a penitent saint in the wilderness. Above in a circular frame the heads of two cherubs. Altarpiece flanked by Corinthian topped pilasters. Group of thre... More
Drawing, Design for an Altar- Elevation, with Trompe l'Oeil Plan Below...
Centrally placed elevation of altar showing painting of a penitent saint in the wilderness. Above in a circular frame the heads of two cherubs. Altarpiece flanked by Corinthian topped pilasters. Group of thre... More
Drawing, Design for an Altar- Elevation, with Trompe l'Oeil Plan Below...
Centrally placed elevation of altar showing painting of a penitent saint in the wilderness. Above in a circular frame the heads of two cherubs. Altarpiece flanked by Corinthian topped pilasters. Group of thre... More
Drawing, Design for an Altar- Elevation, with Trompe l'Oeil Plan Below...
Centrally placed elevation of altar showing painting of a penitent saint in the wilderness. Above in a circular frame the heads of two cherubs. Altarpiece flanked by Corinthian topped pilasters. Group of thre... More
Drawing, Design for an Altar- Elevation, with Trompe l'Oeil Plan Below...
Centrally placed elevation of altar showing painting of a penitent saint in the wilderness. Above in a circular frame the heads of two cherubs. Altarpiece flanked by Corinthian topped pilasters. Group of thre... More
Drawing, Design for an altar of the Virgin, 1775–80 (CH 18541289-2)
Two angels support a frame of an image, with two cherubim on top. Two others support a label above. Upon the cornices of a broken pediment sit angels. In the center an escutcheon with a monogram; on its top a ... More
Drawing, Design for a Candelabra, ca. 1800 (CH 18110093)
Elevation of a five-armed candelabra. Arms decorated with leaves. At center, a musical trophy.
Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy
Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy