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The great South Sea caterpillar, transform'd into a Bath butterfly / Js.G. desn. et fect., British Cartoon Print

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The great South Sea caterpillar, transform'd into a Bath butterfly / Js.G. desn. et fect., British Cartoon Print

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Summary

Cartoon shows the metamorphosis of Sir Joseph Banks from a caterpillar to a butterfly upon his investiture with the Order of the Bath as a result of his South Sea expedition. Draped with the ribbon, and wearing the jewel, of Bath, he rises, chrysalis shaped, from the mudflats on butterfly wings emblazoned with sea creatures towards a radiant sun enclosing a crown.
Captioned: Description of the New Bath Butterfly - taken from the "Philosophical Transactions for 1795" - "This Insect first crawl'd into notice from among the Weeds & Mud on the Banks of the South Sea; & being afterwards placed in a Warm Situation by the Royal Society, was changed by the heat of the Sun into its present form - it is notic'd & Valued Solely on account of the beautiful Red which encircles its Body, & the Shining Spot on its Breast; a Distinction which never fails to render Caterpillars valuable.
Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7, no. 8718
Forms part of: British Cartoon Prints Collection (Library of Congress).
Exhibited: Gillray and the Art of Caricature.

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

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Date

01/01/1795
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Contributors

Gillray, James, 1756-1815, artist
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Source

Library of Congress
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Copyright info

No known restrictions on publication.

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