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Puck magazine cover - Look who's here! / L.M. Glackens.

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Puck magazine cover - Look who's here! / L.M. Glackens.

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Summary

Illustration shows Father Time as he is ushering out an old man labeled "1911"; he is surprised when he looks over his shoulder at the arrival of "1912" and sees is a female putti wearing a hat and furs, and holding a paper that states "Happy New Year Votes for Women".

Illus. in: Puck, v. 70, no. 1817 (1911 December 27), cover.
Copyright 1911 by Keppler & Schwarzmann.

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

Puck was founded by Austrian-born cartoonist Joseph Keppler and his partners as a German-language publication in 1876. Puck’s first English-language edition in 1877. The magazine name came from Shakespeare’s Midsummer Night’s Dream: “What fools these mortals be!” Puck used lithography instead of wood engraving and offered three cartoons vs. one of competitors. The cartoons were initially printed in black and white, but soon it changed into full, eye-catching color. Within a few years, Judge supplanted Puck as the leading humor magazine.

New Year's celebrations have a long history dating back to ancient civilizations. The earliest recorded New Year's celebration is believed to have been held by the ancient Babylonians around 2000 BCE. They held a celebration called Akitu, which lasted for 11 days and marked the beginning of the new year, the return of the goddess Ishtar, and the re-creation of the world. The ancient Romans also celebrated the new year, although their calendar was different from the one we use today. The Roman calendar originally began on March 1, and the new year was celebrated on the vernal equinox, which is the first day of spring. The Roman calendar was later changed by Julius Caesar to begin on January 1, and this change was eventually adopted by most Western civilizations. New Year's celebrations have been held on January 1 in many cultures around the world, including in Western Europe, the Americas, and Asia. In many cultures, New Year's is a time for people to reflect on the past year and make resolutions for the new year. It is also a time for celebration, with parties, fireworks, and other festive events. In modern times, New Year's celebrations continue to be a popular way to mark the start of a new year and to look forward to the future with hope and optimism. While both Christmas and New Year holidays are times for celebration, they have different origins and traditions. New Year's Day is a secular holiday that is celebrated around the world, while Christmas is a religious holiday that is primarily celebrated by Christians.

Glackens was born in Philadelphia in 1866 and studied at the Pennsylvania Academy of the Fine Arts. He began his career as a newspaper illustrator in Philadelphia before moving to New York City in 1896 to work for the New York Herald. In addition to his work in magazines and animation, Glackens was also an accomplished painter. He was a member of the Ashcan School, a group of artists who focused on depicting everyday life in urban areas. Glackens' paintings often depicted scenes of New York City, including its parks, beaches and street life. Glackens was also an art collector and played an important role in promoting the work of other artists. He was a friend and supporter of Henri Matisse and helped organise the groundbreaking Armory Show of 1913, which introduced American audiences to the work of European modernists. Glackens died in 1938 at the age of 68. His work continues to be celebrated for its humour, wit and unique perspective on American life.

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Date

01/01/1911
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Contributors

Glackens, L. M. (Louis M.), 1866-1933, artist
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Source

Library of Congress
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Copyright info

No known restrictions on publication.

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