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Caricature, Left again / Kep., public domain cartoon image

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Caricature, Left again / Kep., public domain cartoon image

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Summary

Illustration shows an elderly woman labeled "Tariff Revision" angrily shaking her umbrella after being left standing on the railroad station platform as the "Republican Special" departs in a cloud of dust; two men standing on the back of the last car are laughing at her.

It wasn't really until the 1700s that caricature truly blossomed as a form of political criticism. In the late 1750s, a man named Thomas Townshend began using the techniques employed by earlier engravers and applying them towards a political model. This gave Thompson's cartoons a much greater feeling of propaganda than previous artistic critiques of the time. The intense political climate of the period, and often accusatory nature of most political cartoons forced many artists to use pseudonyms in order to avoid accusations of libel. Other artists took it a step farther, and left their cartoons completely unsigned, foregoing any credit they may have received. Political higher-ups were notoriously touchy about their reputations and were not afraid to make examples of offenders. Puck was the first successful humor magazine in the United States of colorful cartoons, caricatures and political satire of the issues of the day. It was published from 1871 until 1918.

date_range

Date

01/01/1904
person

Contributors

Keppler, Udo J., 1872-1956, artist
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Source

Library of Congress
copyright

Copyright info

No known restrictions on publication.

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