Planet Earth
Illustratie bij Canto XX van Tasso's 'Gerusalemme Liberata'

Similar

Illustratie bij Canto XX van Tasso's 'Gerusalemme Liberata'

description

Summary

Ornamentele sierlijst met bovenin een vlak met acht Italiaanse versregels. Onderin een voorstelling bij Canto XVII van Tasso's 'Gerusalemme Liberata'. Altamore, de koning van Sarmachand, knielt voor Godfried van Bouillon die te paard voor hem staat. Op de achtergrond vindt een strijd plaats voor Jeruzalem.

Antonio Tempesta (1555 – 1630), was an Italian painter and engraver, whose art connects Baroque Rome and the Flemish culture of Antwerp was born in Florence. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. He painted a series of turbulent and crowded battle scenes for the Medici. He also completed a series of engravings on outdoor courtly hunting scenes. When in Rome, he associated with artists from the Habsburg Netherlands. Tempesta is now best known as a printmaker in etching and engraving. He also drew many designs for tapestries.

Printmaking in woodcut and engraving came to Northern Italy within a few decades of their invention north of the Alps. Engraving probably came first to Florence in the 1440s, the goldsmith Maso Finiguerra (1426–64) used the technique. Italian engraving caught the very early Renaissance, 1460–1490. Print copying was a widely accepted practice, as well as copying of paintings viewed as images in their own right.

date_range

Date

1565 - 1630
create

Source

Rijksmuseum
copyright

Copyright info

Creative Commons CC0 1.0 Universal Public Domain Dedication ("CCO 1.0 Dedication")

Explore more

prints
prints