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Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use (1900) (14761488806)

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Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use (1900) (14761488806)

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Identifier: handbookoforname1900meye (find matches)
Title: Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use
Year: 1900 (1900s)
Authors: Meyer, Franz Sales, 1849-
Subjects: Decoration and ornament Art objects
Publisher: New York, B. Hessling
Contributing Library: Wellesley College Library
Digitizing Sponsor: Wellesley College Library



Text Appearing Before Image:
gawkward, without becoming ugly. Very manifold, although of no great importance decoratively,are the Helmets of the Middle Ages. Leaving out of account theless important transitional forms, we will here give the names of theprincipal classes in order of historical succession. They are theHeaume (fig. 8), the Salade or sallet (fig. 7), the Tilting-helmet(fig. 9), the Armet (fig. 10), and the Helmet with barred Vizor (fig. 11).The section on Heraldry may also be consulted. The Helmets of the Renascence, especially the State - helmets,are richly, sometimes too richly, decorated. To the forms received,from the Middle ages, were added the Burganet (fig. 13), and theilorion (fig. 12). Some of these State-helmets are also copied fromthe Antique, as may be seen in fig. 14. The Modern creations in thissection are of no artistic importance. Plate 227. The Helmet. 1. Greek, bronze, Campana collection, (Lart pour tous). 2. Etruscan, bronze, Campana collection, (Lart pour tous). METAL OBJECTS. 391
Text Appearing After Image:
The Helmet. Plate 227. 392 The Helmet. — The Sword, — The Dagger. 3. Roman, bronze, Louvie, Paris, (Menard et Sauvageot). 4—6. Roman, bronze, for gladiators, different views, (Menard etSauvageot). 7. Mediaeval Salade, iron. 8. Mediaeval Heaume, iron, the chain was hooked into the cross-shaped slit. 9. Mediaeval Tilting-helmet, iron. 10. Mediaeval Armet, iron. 11. Mediaeval, iron, with barred vizor. 12. Renascence, Morion, etched iron. 13. Renascence Burganet, German. 14. State-helmet, 16th century, (Lart pour tous). The Sword. (Plate 228.) The Swoid is the most universally used of the offensive weapons.Much as these weapons for cutting and thrusting differ from eachother in size and finish; they generally consist of three principalparts: the Blade, single or double-edged, tapering more or lesstowards the point, generally straight, but sometimes curved or waved,also sometimes fluted to save weight, only decorated by means ofengraving, etching, damaskeening, &c.; the Handle, w

The Etruscan civilization was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered at its greatest extent, roughly what is now Tuscany, western Umbria, and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto, and western Campania. The earliest evidence of a culture that is identifiably Etruscan dates from about 900 BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region. Etruscan civilization endured until it was assimilated into Roman society. Assimilation began in the late 4th century BC as a result of the Roman–Etruscan Wars; it accelerated with the grant of Roman citizenship in 90 BC, and became complete in 27 BC, when the Etruscans' territory was incorporated into the newly established Roman Empire.

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