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Exhibit of swords by Tiffany & Co. Metropolitan Fair

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Exhibit of swords by Tiffany & Co. Metropolitan Fair

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Original Caption: Exhibit of swords by Tiffany & Co. Metropolitan Fair..U.S. National Archives’ Local Identifier: 111-B-3208..From:: Series: Mathew Brady Photographs of Civil War-Era Personalities and Scenes, (Record Group 111)..Photographer: Brady, Mathew, 1823 (ca.) - 1896..Coverage Dates: ca. 1860 - ca. 1865..Subjects:.American Civil War, 1861-1865.Brady National Photographic Art Gallery (Washington, D.C.)..: 527392 ( 527392 ) ..Repository: Still Picture Records Section, Special Media Archives Services Division (NWCS-S), National Archives at College Park, 8601 Adelphi Road, College Park, MD, 20740-6001. ..For information about ordering reproductions of photographs held by the Still Picture Unit, visit: ..Reproductions may be ordered via an independent vendor. .. ..Access Restrictions: Unrestricted.Use Restrictions: Unrestricted

Mathew Brady (1823-1896) was one of the most prolific photographers of the nineteenth century, creating a visual documentation of the Civil War period (1860-1865). During the Civil War, Brady and his associates traveled throughout the eastern part of the country, capturing the effects of the War through photographs of people, towns, and battlefields. Additionally, Brady kept studios in Washington, DC and New York City, where many influential politicians and war heroes sat for portraits. The U.S. National Archives has digitized over 6,000 images from the series Mathew Brady Photographs of Civil War-Era Personalities and Scenes (National Archives's Local Identifier 111-B) and included them in our online catalog. The U.S. National Archives was established in 1934 by President Franklin Roosevelt, but its major holdings date back to 1775. The National Archives keeps only those Federal records that are judged to have continuing value -- about 2 to 5 percent of those generated in any given year. By now, they add up to a formidable number, diverse in form as well as in content. In addition to the photographs and graphic images described above, there are approximately 9 billion pages of textual records; 7.2 million maps, charts, and architectural drawings; billions of machine-readable data sets; and more than 365,000 reels of film and 110,000 videotapes. All of these materials are preserved because they are important to the workings of Government, have long-term research worth, or provide information of value to citizens.

In 1837 Charles Lewis Tiffany and John B. Young founded Tiffany & Company in Brooklyn, Connecticut, as a "stationery and fancy goods emporium". Charles Tiffany's father who financed the store with only $1,000. Charles Lewis Tiffany along with his friend John B. Young established the jewelry company Tiffany in 1837 as Tiffany, Young and Ellis. They settled in Manhattan selling imported high-class glassware, silverware jewelry, and porcelain. Unlike other stores at the time, Tiffany clearly marked the prices on its goods, only accepted cash payments, and did not allow purchases on credit. The first Tiffany mail order catalog, known as the "Blue Book", was published in 1845, and publishing of the catalog continues it to this day. The company began designing its own jewelry in the 1850s, relocating to Fifth Avenue and opening branches in Paris and London. Tiffany adopted the British silver standards, establishing the term "sterling" in the US. Charles Comfort Tiffany succeeded his father as director and led the company to become one of the leading proponents of the Art Nouveau style and shortened the name to Tiffany & Company, changed emphasis on jewelry in 1853. In 1862 Tiffany supplied the Union Army with swords (Model 1840 Cavalry Saber), flags, and surgical implements. In 1870, the company built a new store building at 15 Union Square West, Manhattan, designed by John Kellum. It was described by The New York Times as a "palace of jewels". In 1956, legendary designer Jean Schlumberger joined Tiffany, and Andy Warhol collaborated with the company to create Tiffany holiday cards (circa 1956–1962).

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1865
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National Gallery of Art, Washington DC
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