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Den theater des bedroghs ofte de listige onstantvastigheyt des werelts - voerende voor iaer-schrift wat wonder deel,, ist aersch thooneel, waer dat gewis,, geen stant en is - aen gewesen door (14592887787) (cropped)

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Den theater des bedroghs ofte de listige onstantvastigheyt des werelts - voerende voor iaer-schrift wat wonder deel,, ist aersch thooneel, waer dat gewis,, geen stant en is - aen gewesen door (14592887787) (cropped)

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Identifier: dentheaterdesbed00verm (find matches)
Title: Den theater des bedroghs ofte de listige onstantvastigheyt des werelts : voerende voor iaer-schrift wat wonder deel,, ist aersch thooneel, waer dat gewis,, geen stant en is : aen gewesen door verscheyde historien, geschiedenissen, iaer-schryvende sinnebeelden ; voor desen noyt gedruckt in onse Neder-lantsche taele ; verciert met vele schoone kopere plaeten
Year: 1744 (1740s)
Authors: Vermeren, Michael F Cosset, F Cattoir, Simon-Joseph, b. 1714 Velde, Jacob van de, 17th cent
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Publisher: Tot Brussel : By Iacob vande Velde ...
Contributing Library: Getty Research Institute
Digitizing Sponsor: Sloan Foundation



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The patterns are the result of color floated on either plain water or a viscous solution known as size, and then carefully transferred to an absorbent surface, such as paper or fabric. Through several centuries, people have applied marbled materials to a variety of surfaces. It is often employed as a writing surface for calligraphy, and especially book covers and endpapers in bookbinding and stationery. Part of its appeal is that each print is a unique monotype.

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1744
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18th century marbled paper
18th century marbled paper