Similar
Cartoon by Miyamoto, U.S. Army. Shown here is one of the many cartoons drawn by Private Miyamoto, cartoonist, of the Nineth Armored Division. Miyamoto is twenty-two years old and is an American-born citizen of San Francisco. His parents are in a relocation center. He is now special duty with the public relations section of his division
Omslagontwerp voor De Nederlandsche handel en nijverheid in woord en beeld, 1901, RP-P-2019-760
Cartel Contra Mencheviques Y Socialrevolucionarios 1920 propaganda poster
From the oldest to the youngest nation
Out of water power... comes air power. This is a TVA war job. - NARA - 534833
Time and the Hour - Public domain dedication. Metropolitan Museum of Art image.
When in doubt don't^ - NARA - 535006
Motion picture record, Vol. 4, no. 19
Drag it down. "Keep `em pulling" - NARA - 534857
Related
Aubrey Beardsley, 1895 - Drawing. Public domain image.
Beardsley, Aubrey (1872-1898) - The platonic lament (1894)
Beardsley, Aubrey 1872-1898 - Bathyllus taking the pose (1896)
Aubrey Beardsley - Chimera 1907 p222
Aubrey Beardsley - Chimera 1907 p576
P542b, Idler magazine 1898--Aubrey Beardsley
P538, Idler magazine 1898--Aubrey Beardsley
Aubrey Beardsley by Frederick Hollyer, 1893
P541, Idler magazine 1898--Aubrey Beardsley
Aubrey Beardsley - The Yellow Book, An Illustrated Quarterly, April 15, 1894
Summary
Aubrey Beardsley - The Yellow Book, An Illustrated Quarterly, April 15, 1894
Identifier: skmtbildenochd00lauruoft (find matches)
Title: Skämtbilden och dess historia i konsten
Year: 1910 (1910s)
Authors: Laurin, Carl Gustaf Johannes, 1868-1940
Subjects: Caricature -- History Caricature and cartoons, European -- History Wit and humor, Pictorial -- History
Publisher: Stockholm : P. A. Norstedt
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: MSN
Text Appearing Before Image:
tt Mefistofeles skullevid deras åsyn ångra sitt tänkespråk: »Je mehr Fleisch je mehrSunde.» I sitt novellfragment Under the Hill beskrifver Beardsleysin längtan efter den ytterst förfinade njutningen, konstfullt hop-bryggd af lek och smärta, af lättsinniga kyssar, djupa orgel-toner och hysteriska skratt. Där har han i ord sagt hvad hanvill i sina bilder. Det hela är romantik och med en bismak afromantisk ironi på botten. — Scenens overklighet lockar honom,mest dock den hvite pierrot, hvars stiliserade gester och stereo-typa repliker ibland afbrytas af en äkta rörelse, af ett tonfallskälfvande af ängest eller begär, som kan öfverrumpla den mestskeptiske åskådare. Baudelaires titel »Les paradis artificiels» kan utan omskrif-ningar tillämpas på Beardsleys teckningar. Man gör upp sina idéer om hur ett paradis rätteligen börvara på mycket olika sätt. Nordbon tänkte sig Valhall medrika tillfällen till slagsmål och stekt skinka i obegränsade mängder. S30
Text Appearing After Image:
Pr\\CEL PIVE SHILLINGS ELhIN /»\ATHEW/3AND JOH^y LANE.TXE BODLEV HE AOVIGO ST. LONDON APf^lL IS»-nDCCCXCIV. 410. Omslaget på prospektet till tipskkiften The Vellow Book. Teckning af Aubrey Beardsley. 531 ENGLAND.
Aubrey Beardsley (1872–1898), he leading English illustrator of the 1890s and, after Oscar Wilde, the outstanding figure in the Aestheticism movement. Drawing was a strong interest from early childhood, and Beardsley practiced it while earning his living as a clerk. Beardsley’s meeting with the English artist Sir Edward Burne-Jones in 1891 prompted him to attend evening classes at the Westminster School of Art for a few months, his only professional instruction.