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Summary
Identifier: amorisdiviniembl00veeno (find matches)
Title: Amoris divini emblemata
Year: 1660 (1660s)
Authors: Veen, Otto van, 1556-1629 Veen, Gijsbert van, 1558-1630, engraver Ledesma, Alonso de, fl. 1600 Hattron, Charles Philippe Moretus, Balthasar, 1615-1674, printer Nash, N. Frederick (Norman Frederick), 1936-, former owner. IU-R
Subjects: Love in art
Publisher: Antverpiae (Antwerp) : Ex officina Plantiniana Balthasaris Moreti
Contributing Library: University of Illinois Urbana-Champaign
Digitizing Sponsor: University of Illinois Urbana-Champaign
Text Appearing Before Image:
C E N s V R A. H JE C Dtuini Amoris Emblemata , arce ôc peni-cilio Othonis V.€nI delineaca,abeodem in-ucnca, & Scripturz Patriimqae ccllimoniis illullrata,qiiod admirandos Amoris eiufdem in anima cffcdusin imagine reprzfenccnt:, & refpeclatores ad eumdcmroto conam fectandum , conftanterquetenendum in-fiamment , dignilTima luce & typis iudicaui, hacXXVII. lanuarij, anni m. d c. x v . Liurentiiii Beyerlmckj, STh.Lic.Archi-presbyter Ciuititu 6^ DtslricïnsAntucrp. Libroritm^yAC Cenfor. SVMMA PRIVILEGir. PONTIFICIO, C&fareo , Regum l-ítífanis.^ GaÏÏi&^ac SerenipmoríimBeigíc&^rmcí-pMm pr mi legio cautum en, ne qnis lue A morísDiuini Emblemata , ant alia Ancîons Opera,qiwqiio modo imitctur, ni decem marc arum auri^rjûltiendarumpœnam velit incurrercj. /(^ /
Text Appearing After Image:
'
The patterns are the result of color floated on either plain water or a viscous solution known as size, and then carefully transferred to an absorbent surface, such as paper or fabric. Through several centuries, people have applied marbled materials to a variety of surfaces. It is often employed as a writing surface for calligraphy, and especially book covers and endpapers in bookbinding and stationery. Part of its appeal is that each print is a unique monotype.
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